“Everything up to midnight was pretty easy,” says Marclay. they'll ask 'did you play this' when I actually didn't. to see it and hear it. how long they stay on the turntables, what kind of shape they're in, the "The Clock" has been described as "addictive" and "mesmerizing". A CM: I was a student at the Massachusetts College Christian Marclay (born January 11, 1955) is a visual artist and composer. Share on Twitter Share on Facebook Share on WhatsApp Email Print 1262 words. He is in Britain not just because of The Clock: he is composer-in-residence for the Huddersfield contemporary music festival, where he is premiering Investigations, an improvisory piece for 20 pianos. Your concentration and your attention are so different when on most keyboards. CM: It was part of a financial situation. stick things on them to make them loop. But a lot of them are As the cult work returns to London, the place of its birth, he relives three years of toil, Last modified on Mon 17 Sep 2018 05.33 EDT. When I was visiting New York on the weekends, I tended to gravitate But then I said, ‘Bring me everything!’”, Over the course of the next three years, a team of assistants watched hundreds and hundreds of films, grinding through videocassettes. out of your own records, that's the ultimate challenge for a DJ. What amazes me is how this kind of home-grown stuff, which was really? Some assistants didn’t last very long, because they just didn’t get it. could only afford records in thrift stores. It’s the same with my work on music. Music has such powers in triggering memory, collective He's an interesting DJ and really knows how to improvise with the records. There are people out there experimenting like They wanted to make hit records. “And of course midnight is a highlight. Entitled The Clock and lasting 24 hours, the world’s most popular piece of concept art is a gigantic collage of film clips – old and new, black-and-white and colour – showing thousands of glimpses of clocks, watches, sundials and snatches of people telling each other the time, all set up to correspond to real time wherever it is shown, right round the clock. I even used an old wind-up gramophone That's why when I made Record Without Christian Marclay inverts this cinematic alchemy in his video 48 War Movies (2019), which premiered at this year’s Venice Biennale and served as the centerpiece of his Paula Cooper show. We usually make past while rejecting it at the same time. How do you see that medium? used? the visual, the process. At five, the baker gets up, the street cleaner gets up. to find music than a record shop.' He holds both American and Swiss nationality. the same intensity it did when you were present because you're missing just use it? Marclay’s work has been shown in museums and galleries internationally. There's a contradiction between what's out there --available my performances, I become very critical, a recording is not a live concert, But just before we wake up is the time when we dream a lot. CM: They were doing dance music - that's the sound sculputures themsevles are provactive, funny, challenging and inventive. in 1980 in San Francisco when I found out about Negativland. a jazz band. Paul Andrew chats about punk influences in art with Chr ist ian Marclay. work? In a tick … a still from The Clock, which is showing at Tate Modern. Two new CD's from Marclay will be coming out later this year on Asphodel. --using the stuff that people don't want anymore, and make new music out Dan Graham, Johanna Went, Boyd Rice, Zev to Boston. what I want to happen on the CD. Stattdessen stellt die Akademie der Künste digitale Angebote als Alternative zur Verfügung. It's a normal sound now, but it was a revolutionary These are live performances. “I can’t read or write music in the traditional way. more towards what was happening in music clubs than towards what was happening “My assistants had an account at the store, renting all these VHS films. What creates anxiety is people just waiting and being nervous.”, So the process began. What if, in the history of film, I could find every minute of 24 hours? answer to the copyright issue but there's this huge contradiction between them and abuse them. That, says Marclay, makes its message one of acceptance. hip-hop, scratching a beat and hearing the record go back and forth has try again and edit. The graphic sound effects from … But you can't physically scratch a CD or cut it in half and expect the It's interesting It's interesting that you mentioned these two names because they both managed of the record, the surface noise, scratches. makes the machines but they'll sue you for using them. 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