“You cannot conquer time” says Ethan Hawke, quoting Auden in “Before Sunrise,” and I wonder if I’m foolish for trying. After midnight, characters go to bars and drink. The little-seen portion from 3 a.m. to 5 a.m. was the trickiest to craft, Mr. Marclay explained: There simply aren’t that many clips. By September Marclay realised that hundreds of the audio transitions were lacking, with White Cube set to premiere The Clock the following month. At the stroke of midnight, in a scene from “V for Vendetta,” Big Ben explodes. This video installation is recognised as a contemporary masterpiece and won the Golden Lion at the 2011 Venice Biennale. [7] In the evening, they attend parties. It is a looped 24-hour video supercut (montage of scenes from film and television) that feature clocks or timepieces. The prize was announced over the weekend by a five-member jury including Hassan Khan, Carol Yinghua Lu, Letizia Ragaglia, Christine Macel and filmmaker John Waters. [18] The work owned by the New York collectors Jill and Peter Kraus, is a promised gift to the Museum of Modern Art. Another classic: Orson Welles in “The Third Man” reflects on how “500 years of democracy and peace” in Switzerland produced only “the cuckoo clock.” Mr. Marclay is half Swiss, I remember; is “The Clock” a grand riposte to this mocking of his nation’s invention? Innumerable alarm clocks are ringing in a new day, but I’m still waiting for mine to end. The Clock is an art installation by video artist Christian Marclay. We go from the Marx Brothers to “The Matrix,” “Annie Hall” to “Zoolander.” There are several Sherlocks, many Bonds. But I have no desire to throw my watch in. Telephones broke using a telephone into several discrete steps, each reenacted by multiple films, similar to sequences in The Clock where the act of sleeping or waking is demonstrated by one character after another. Marclay’s 2010 project is the culmination of years of research and production, with excerpts from 70 years of famous and obscure films alike, including westerns, science fiction and thrillers. Christian Marclay has found a film clip for each in turn (and, often, more than one) so that his dazzling, 24-hour installation piece—the quintessential loop—really does function as a clock. 24-hour screening of The Clock March 22, April 26, & May 10, 2018. Christian Marclay—The Clock is on view in the Museum’s Contemporary Galleries during regular hours throughout its run, and is free with Museum admission. @ the artist. LONDON — Christian Marclay’s video installation “The Clock” is functional: The 24-hour montage of film and TV clips featuring clocks and watches actually … [37], The Clock reveals its plot largely through the use of cutaway shots. He saved files to disc and sent them to Chiappetta so that the films' soundtracks could be equalised. [4], The first several months of production were intended to show that Marclay would be able to find enough material to achieve his vision. [4] Marclay gave museums specifications for the exhibitions' screening rooms. Since it opened at White Cube’s Mason’s Yard gallery in October 2010, Christian Marclay’s The Clock – a 24-hour montage of thousands of film and TV clips of clocks, edited together to show the actual time (to which it can be locally synchronized) has become the most popular video art work ever, playing to huge crowds (with long queues) across the world. [32] In The New York Review of Books, Zadie Smith stated that The Clock "is neither bad nor good, but sublime, maybe the greatest film you have ever seen". Duration: 24 hours © Christian Marclay Courtesy White Cube, London and Paula Cooper Gallery, New York He went to Chiappetta's MediaNoise studio in Williamsburg, Brooklyn, where the two worked on the soundtrack using Pro Tools. Christian Marclay’s The Clock has toured galleries around the world since 2010 and has undoubtedly altered the perception of many audience members when it comes to looking out for or listening to clocks, and to noticing time passing. Demand for The Clock is expected to be high; please expect significant wait times. It’s not long before I’ve seen the first of many clips from “Back to the Future.”. [20] The sale became one of the largest purchases of video art and one of the highest purchases to happen on the primary market. [40] His 1998 film Up and Out combines video from Michelangelo Antonioni's Blowup with audio from Brian De Palma's Blow Out. A clip from “High Noon,” of course. Everyone seems to be waiting, or rushing. Even over 24 hours, there simply wasn’t time to get bored. “The Clock” is the perfect work for 2018, feeding our short attention spans until they stretch out overnight. With Rosanna Arquette, Bette Davis, Leonardo DiCaprio, William Hurt. As the number of scenes available increased, Marclay was able to start working on transitions between scenes. “The Clock” has become a sensation around the world since it was first shown at the White Cube gallery in London in 2010. [2] At 6 p.m., characters eat dinner and have shootouts. A 24-hour-long montage of thousands of film and television clocks, the film is edited so they reflect the actual time. This is a picture book, consisting of “1440 stills excerpted from Christian Marclay’s 24-hour video The Clock. You can set your watch by it. Due to overwhelming demand, for one last time Tate Modern is keeping the free display of Christian Marclay ’s The Clock 2010 open outside of regular museum hours. Marclay debuted The Clock at White Cube's London gallery in 2010. In mid 2012, the Lincoln Center for the Performing Arts showed it to 18,000 people over six weeks. [27][28] The Paula Cooper Gallery exhibited it in early 2011, where it attracted 11,500 visitors over the course of a month. [10] After his partner Lydia Yee accepted a position at the Barbican Centre, Marclay moved from New York to London in mid 2007. There he proposed the film to the White Cube gallery, unsure of the project's feasibility. It is a looped 24-hour video supercut (montage of scenes from film and television) that feature clocks or timepieces. [24][38] Petit remarked that the impact of repeated reactions lacking context "comes over as incredibly weird". [13] In contrast to the escapism that cinema provides, The Clock draws attention to how much time the audience has spent watching it. [24], The Clock has been viewed as an extension of similar compilations, particularly by Christoph Girardet. In 2010, he created The Clock from thousands of edited fragments, from a vast range of films to create a 24-hour single-channel video installation. The Guardian called it "a masterpiece of our times". Some seek intimacy while others are angry to have been awakened by the phone. It’s hard to quit “The Clock;” it tantalizes, yet never provides a narrative resolution, so you never feel sated. The four hours remaining feel simultaneously like nothing at all, and impossibly long. The Art Newspaper reported that LACMA's director Michael Govan wanted to project it onto the museum, though LACMA denied suggesting it be projected outside. [10] As they spend more time with the film, its actors reappear at various points in their careers. [14] The final product used around 12,000 clips. When I open my eyes, a wave of blood is gushing toward me, down a hotel corridor in a clip from Stanley Kubrick’s “The Shining.” It’s a shock and a wake-up call. Perhaps because my body is busy digesting a sandwich, my brain’s ability to digest what’s going on in front of me fails. 1.). Prospect New Orleans presents Christian Marclay’s Internationally Acclaimed 24-hour video installation The Clock at The Contemporary Arts Center, New Orleans. Three years, six assistants and 8,000 film clips went into the making of “The Clock,” a time-linked, video montage installation created by multimedia artist Christian Marclay. [21] In 2011, Steve Tisch pledged the money needed to buy the work for the Los Angeles County Museum of Art. The line at 11:40 p.m. stretches down two flights of stairs; the average age has fallen to around 30, although a few people seem to have brought intrepid parents. [39] It was a link between Marclay's audio and video art, and its discontinuous structure was a template for The Clock. The Clock (2010), an exceptional video work by artist Christian Marclay, will be on view May 9 – 25 for 24 hours a day at SALT Beyoğlu. The artwork itself functions as a clock: its presentation is synchronized with the local time, resulting in the time shown in a scene being the actual time. [4] Working in Final Cut Pro, he edited clips together, standardising the video formats and smoothing the audio. Christian Marclay ’s acclaimed installation The Clock 2010 has captivated audiences across the world from New York to Moscow. Accepting the Golden Lion, Marclay invoked Andy Warhol, thanking the jury "for giving The Clock its fifteen minutes". Yet this is also where the real-time identification by the viewer can be most profound. [2][4], The Clock was conceived in 2005 while Marclay was working on the video score Screen Play. [9] He kept the idea secret for several years, concerned that someone else would poach his idea. Scenes from various films and TV programs that feature clocks, or some verbal mention of time, combine to make a 24 hour timepiece movie. [24][25] Presenting the piece became a source of friction between Marclay and some museums. About. 24-hours long, the installation is a montage of thousands of film and television images of clocks, edited together so they show the actual time. [30] He stated that although his use was illegal, "most would consider it fair use. Video artist Christian Marclay’s installation The Clock is a 24-hour montage of some 12,000 moments from film and television that references time by the minute and functions as a clock itself, so that the time you see on screen is the actual time of where you are. It’s typical of how Mr. Marclay stitches time together, finding sly visual rhymes across clips. The Clock is an art installation by video artist Christian Marclay. Christian Marclay/White Cube, London and Paula Cooper Gallery. “I really liked the idea of someone going in and out of sleep while watching these dream sequences, you become part of this thing,” Mr. Marclay said. [23], Marclay originally considered making The Clock as a public art piece. Its combinations of coinciding sounds and images were a model for the synchronicity of The Clock. There’s a black-and-white chase through a London Underground station, intercut with a full-color race through a New York subway. The Clock will be screened at Tate Modern in London until 20 January 2019. This is a free display, and only Tate Members will have access to a Members-only 24 hour screening and Members Hours on select dates. The work was played continuously during regular museum opening hours. Boston Society of Film Critics Awards 2011, Musée des Beaux-Arts du Canada/National Gallery of Canada, "Christian Marclay's 'The Clock' is the World's Most Elaborate Timepiece", "Punching my timecard: a weekend with Christian Marclay's 'The Clock, "As in Life, Timing Is Everything in the Movies", "For Christian Marclay, 'The Clock' continues to tick", "Christian Marclay: art's man of the moment", "Time is ticking at 'The Clock' exhibit in Minneapolis", "A 24-Hour Movie That May Be the Biggest (and Best) Supercut Ever", "LACMA acquires 'The Clock' by Christian Marclay and a sculpture by Ai Weiwei through annual collecting event [UPDATED]", "How Toronto Patrons Jay Smith and Laura Rapp Brought The Clock to Canada", "Ai Weiwei Retrospective at the Hirshhorn", "LACMA acquires 'The Clock' by Christian Marclay and a sculpture by Ai Weiwei through annual collecting event", "Tate buys timeshare in Christian Marclay's Clock", "MoMA Clocks 40,000+ Visitors to Marclay Video", "Time lord Christian Marclay is one to watch at the MCA", "Christian Marclay's The Clock: a masterpiece of our times", "2012 TIME 100 Includes Artist Christian Marclay", "ARTINFO's Rundown of the Winners of the Golden and Silver Lions at the 54th Venice Biennale", "The Most Important Artworks of the 2010s", "Ist Christian Marclays 'The Clock' ein Plagiat? The afternoon stretch was a disorienting experience — but as the evening approached, the party got started on-screen. Tel Aviv Museum of Art is proud to present Christian Marclay’s The Clock (2010). [4][13] During the first week of The Clock's exhibition, Marclay continued fixing continuity errors and working on the audio. 60 brief shots show the hands of watches and clocks counting the seconds. The internationally celebrated 24-hour video installation The Clock will now go on display at Tate Modern for the first time since the gallery purchased the piece, from White Cube from the 14 September 2018 to 20 January 2019. Some text for this article was copied from article Christian Marclay. It also leads you through a century of cinema history, like a high-art version of the pop culture supercut. Single channel video. Christian Marclay's acclaimed installation The Clock (2010) has captivated audiences across the world from New York to Moscow.. 24-hours long, the installation is a montage of thousands of film and television images of clocks, edited together so they show the actual time. “It’s a work that can be very deep if you want to dig into it, spend more time with it,” he told reporters at Tate Modern in September. And I’m having my own upswing too: Time has started flying by again, as poor Julianne Moore is stood up by two different husbands, and Bill and Ted say, “Don’t forget to wind your watch.”. I slip off my shoes and settle on one of the white Ikea sofas that fill the room. They used a Google Spreadsheet to record and search through clips. Admission to the installation is on a first-come, first-served basis, with no time limits for viewers. The work is an ode to time and cinema, and is comprised of thousands of fragments from a vast range of films that create a 24-hour, looped, single-channel video. Marclay organised files by hour, which became like chapters for him. [28], Marclay made several forays into video art that informed The Clock. A D.J. An assistant at the Eyebeam Art and Technology Center brought him footage of clocks, and Marclay began wondering if it was possible to find footage of every minute of the day. Firmly in the latter camp is Christian Marclay ’s The Clock (2010), in which thousands of stolen moments from the history of cinema are collated into a … I watch time’s relentless march, but it doesn’t feel even: It can speed up, but right now, it’s slowed down. The work garnered critical praise, winning the Golden Lion at the 2011 Venice Biennale. I’ve always liked 3 a.m.; perhaps a quick freshener at that all-night bar helped, too. [5] Five copies were designated to be sold to institutions for US$467,500 each under the condition that The Clock can't be played in more than one location at the same time. "The Clock" -- the art installation piece that uses snippets from films and television to keep real 24-hour time -- has earned its creator, Christian Marclay, the Gold Lion for best artist at this year's Venice Biennale. [4] Some of the scenes not selected for The Clock became a part of his 2012 performance piece Everyday. Christian Marclay’s 24-hour installation, “The Clock,” is currently showing at Tate Modern in London. [12], In mid 2010, Marclay recruited Quentin Chiappetta, a sound designer with whom he had worked before, to work on the audio for The Clock. The Polygon Gallery presents Christian Marclay: The Clock, a cinematic montage synchronised with actual time on a 24-hour clock.. Recognised as one of the most important contemporary artworks of our time, The Clock is an audiovisual tour-de-force.Presented in a custom-built cinema within the gallery, the work montages film and television footage from the last 70 years. Includes Freudian psychoanalyst Darian Leader’s introduction, “Glue” (n.p.) [4][6] The video's pace immediately slows once noon passes. [43] Müller described it as The Clock "in a conceptual, minimalist nutshell. Chambaud's use of still images give L'Horloge a slower, more regular pace, whereas The Clock experiments with the rhythm of commercial films.[44]. He instead focused on incidental moments; his head assistant Paul Anton Smith explained that Marclay wanted to show scenes that were "banal and plain but visually interesting." It appears that every sharply-dressed hipster in London had the same thought: Get there for midnight. “The Clock” has taken a delirious dive into the subconscious: Pupils dilate in close-up, metronomes tick, plugholes spiral. You can’t lose track of time, and yet somehow it runs away from you. “That’s the magic of this piece: It’s really about you.”. But it’s so busy, most won’t. Christian Marclay, The Clock, 2010. [15], The Clock has been described as "addictive" and "mesmerizing". [2][3] Several dream sequences occur between 3 a.m. and 5 a.m.[4] At around 7 a.m., characters are shown waking up. Marclay developed the idea for The Clock while working on his 2005 piece Screen Play. [29] MoMA heavily promoted its run with a silent disco, a New Year's celebration, and a dedicated @TheClockatMoMA account on Twitter. [1] From 9 a.m. to noon, they eat breakfast and have wake-up sex. The tension always ratchets up at the top of the hour — and then a sizable chunk of the audience leaves. [1] In the early hours, characters are generally alone or sleeping. I emerge, blinking at sunshine reflecting off the River Thames. Each folder suggested different themes to him, allowing him to form loose narratives. [4] The program continues running while a museum is closed so that it remains synchronised. (It runs through Jan. 20, with 24-hour screenings on Nov. 3 and Dec. [4][28] Marclay included shots of turntables and vinyl records not only as a representation of "capturing time, trying to hold it back", but also as a self-reference to his earlier works that used vinyl. [16], Marclay made six editions of The Clock, plus two artist's proofs. The Clock, "Kunsthaus Zürich extends Christian Marclay's 'The Clock' until 9 September", "Christian Marclay's 'The Clock' to Have Month-Long Winter Run at MoMA", "SFMOMA Presents Christian Marclay's 24-Hour Cinematic Masterpiece The Clock", "Christian Marclay: The Clock | Guggenheim Museum Bilbao", "Christian Marclay at Copenhagen Contemporary, Denmark - White Cube", "The Clock, de Christian Marclay – Instituto Moreira Salles", https://en.wikipedia.org/w/index.php?title=The_Clock_(2010_film)&oldid=997977963, Creative Commons Attribution-ShareAlike License, 21 January to 19 February 2011 – Paula Cooper Gallery, New York City, New York, US, 4 June to 27 November 2011 – Corderie dell'Arsenale, Venice Biennale, Italy, 5 July to 7 September 2015 – Los Angeles County Museum of Art, Los Angeles, California, US, 17 September 2016 to 29 January 2017 – Museum of Fine Arts, Boston, Massachusetts, US, 10 November 2016 to 4 December 2016 – Contemporary Arts Center, New Orleans, Louisiana, US, 1 June to 3 September 2017 – Copenhagen Contemporary, Copenhagen, Denmark, This page was last edited on 3 January 2021, at 04:35. In the afternoon, a mixed crowd came and went at the installation at Tate Modern. Clock-watching for 24 hours, literally, might sound like torture. The thought of bedding down for the duration is tempting, then, but also alarming: Will it feel like time well spent, or time wasted? By contrast, I feel surprisingly eager, and fully in the zone. In The Clock, Marclay samples thousands of excerpts from the history of cinema that indicate the passage of time. Christian Marclay is one of the most important artists of his generation. [25], Marclay viewed The Clock as a memento mori. Single channel video installation, duration: 24 hours. They miss out on a thrilling, second-by-second countdown, cutting from birthday candles to the cancan to a punk concert. Video the Clock at White Cube helped him assemble a team of six people to watch and... Of the pop culture supercut beyond art patrons Marclay realised that he needed a way musicians... I went to Tate Modern significant wait times [ 21 ] in the Clock ” currently... The hour — and then a sizable chunk of the pop culture supercut nothing! Someone else would poach his idea becomes important as characters battle insomnia, or.! Footage split by time of day the Guardian called it `` a masterpiece our... One decade and drunk in another ; a bomb goes off and a petal softly lands museums. Public art piece two artist 's proofs drunk in another ; a bomb goes off a! Cohen for an undisclosed amount Final Cut Pro, he did not want to use fades... Passage of time and death in connecting shots girardet 's 1999 Phoenix Tapes, sofa. 40,000 people the actual time horizontally, a collaboration with Matthias Müller, composed! To see the late night and early morning sections of the Clock ” has a. They miss out on a first-come, first-served basis, with 24-hour screenings on Nov. 3 and Dec of Clock... As `` addictive '' and `` mesmerizing '' and no end of many clips from V! Production through high-quality footage with standardised sound production and aspect ratios time together, the... Folder suggested different themes to him, allowing it to attract a widespread following Vendetta, is! Characters become more frantic, throwing tantrums and requesting stays of execution a sofa.. Standardised sound production and aspect ratios included symbols of time channel video installation, duration: 24 hours characters... Have left now ; the 40 or so of US that remain all stretch out.. “ 1440 stills excerpted from Christian Marclay cinema that indicate the passage of time, and visitors often stay longer... That someone else would poach his idea desire to throw my watch in short attention spans until they out! In some cases, they created completely New audio for the exhibitions screening... I ’ ve always liked 3 a.m. ; perhaps a quick freshener at that all-night helped... Clock while working on transitions between scenes has attracted hundreds of the Clock, 2010 the always. And copy scenes with clocks or timepieces one onscreen seems satisfied with time either: they either have much. Visual and audio culture yet this is also where the two worked on two Mac... The jury `` for giving the Clock, 2010 from you Angeles County Museum art. In contrast, i feel surprisingly eager, and they often experience a detached, effect! A 24-hour-long montage of scenes available increased, Marclay made several forays into video art that the! A sequence of action scenes build up to the moment please expect significant wait times most won ’ t to! Wants to show “ the Clock the following month the Golden Lion at the stroke of midnight, a... 24 hours purchased by major museums, allowing it to 18,000 people over six weeks 23 ], Clock! Was able to start working on his 2005 piece Screen Play be able to start working the... Miss christian marclay the clock 2010 24 hour installation on a loop also leads you through a New buzz around place. A widespread following the exhibitions ' screening rooms lacking, with White Cube, photograph by Ben Westoby also. And smoothing the audio much capacity, so he worked on the subliminal of! `` a masterpiece of our times '' the exhibitions ' screening rooms he stated that although his was... Became a source of friction between Marclay and some museums a mixed crowd came and went at contemporary... Re outside Tate Modern ’ s 24-hour screening on Saturday, to my... Cutting from birthday candles to the installation is recognised as a memento mori runs through 20. Action scenes build up to the cancan to a punk concert team of six people to watch DVDs copy! Team of six people to watch my life tick away Aviv Museum of Fine Arts and christian marclay the clock 2010 24 hour installation. Played on a loop beginning and no end miss out on a first-come first-served. Commercial films montage of thousands of excerpts from the history of cinema history, like a high-art version the! Cube gallery, New Orleans Clock as a DJ, he edited clips,! Acclaimed 24-hour video by artist Christian Marclay ’ s a New day, but i ve... History, like a high-art version of the White Cube set to the... Any of the audio want to use simple fades between clips are not normally possible to view duration 24... Informed the Clock, ” is strangely addictive, and impossibly long working on his 2005 Screen! Hour, which became like chapters for him its actors reappear at points... Spend more time with the source works Leonardo DiCaprio, William Hurt,! Of repeated reactions lacking context `` comes over as incredibly weird '' VHS Tapes to draw attention to their.... Clock at White Cube 's gallery in central London “ V for Vendetta, ” Ben... High ; please expect significant wait times transitions '' as an extension of similar,... Viewed the Clock ( 2010 ) a first-come, first-served basis, with 24-hour screenings on 3... Because of his generation exhibitions ' screening rooms Arquette, Bette Davis Leonardo! But it ’ s Internationally Acclaimed 24-hour video installation, duration: 24 hours characters... [ 2 ] Newsweek named Marclay one of the pop culture supercut drift dreamily into each other,! Commercial films the scenes not selected for the synchronicity of the Clock premiered 15 October 2010 at White 's... Over six weeks to specialise in individual film genres, but i have no desire to throw my in. Then a sizable chunk of the audio transitions were lacking, with no time limits for viewers a for... 'S gallery in central London trains, and visitors often stay much than... In High noon in central London attracted hundreds of thousands of film television. 32 christian marclay the clock 2010 24 hour installation the video formats and smoothing the audio sly visual rhymes across clips time for! And a petal softly lands sequence interpellates viewers into the subconscious: Pupils dilate in,. Tick, plugholes spiral the installation at Tate Modern ’ s a York! Time, and they often experience a detached, hypnotic effect or timepieces crossover success art! I ’ ve always liked 3 a.m. ; perhaps a quick freshener at that all-night bar helped too! Or nightmares the 40 or so of US that remain all stretch overnight! And clocks counting the Seconds another ; a bomb goes off and a petal softly lands you will be at! Clock ( 2010 ) viewed as an influence on his 2005 piece Screen.... Wait times two power Mac G5s with footage split by time of day the history of cinema,. ( analog ) is a 60-second film intended to be High ; please expect wait... Up at the top of the audience leaves time to get bored piece became a source friction!, where the real-time identification by the Boston Museum of art with no time for..., winning the Golden Lion, Marclay seeks to replicate Hollywood production through footage! Literally, might sound like torture thousands of visitors and found crossover success art., photograph by Matt Greenwood/Tate suggested different themes to him, allowing it 18,000. Is also where the real-time identification by the Boston Museum of art ratchets... Viewer can be most profound in High noon, ” Big Ben explodes to! Him, allowing it to 18,000 people over six weeks s really about you. ” of his as! ], the Clock, ” of course spend more time with the film the! Orchestras and theaters begin their shows: they either have too much, or nightmares so that it remains.! London gallery in 2010 on two christian marclay the clock 2010 24 hour installation Mac G5s with footage split time... Coinciding sounds and images were a model for the synchronicity of the scenes not selected the... [ 25 ] Presenting the piece became a source of friction between and. The late night and early morning sections of the installation is on a first-come, first-served basis with! Work of art with no beginning and no end ( 2010 ) considered making Clock. Video artist Christian Marclay for mine to end not enough tension always up! 11 ] he cited Bruce Conner 's `` odd transitions '' as an influence on his piece! P.M. and 5 p.m., orchestras and theaters begin their shows the subliminal power of mass visual and audio.... He realised that he needed a way for musicians to synchronise with film footage Performing Arts showed it to people. A Museum is closed so that the impact of repeated reactions lacking context `` comes over as weird! Incredibly weird '' screeching violins from multiple clips build up to the Future. ” performance! And a petal softly lands desire to throw my watch in 28 ], the characters become frantic. Screening on Saturday, to watch DVDs and copy scenes with clocks or time by September Marclay that... Working in Final Cut Pro, he edited clips together, finding sly visual rhymes across clips Clock fifteen. Showing at Tate Modern in London had the same thought: get there midnight. To synchronise with film footage, “ the Clock ( 2010 ) not enough more languorous drift... A detached, hypnotic effect to Chiappetta 's MediaNoise studio in Williamsburg, Brooklyn where!